Timeline
Fri 4 March, 2022 | 4.30-6pm
Work Meeting
DECOSO Meeting #4
Latent Worlds: On Low Resolution in High Dimensions
Venue: Online
Contributors
- vinit agarwal
- Patricia Reed
- Ute Holl
Registration online.
On this occasion of the public sharing of Decolonising Socialism: Entangled Internationalism project’s digital platform and archive, we extend this invitation to think together on the image of the network as a paradigmatic diagram. How do such archetypal representations of ‘interrelations,’ weigh upon the modelling of data, its uses and operational value, as well as narratives of decentralization? How do we draw, read and enact these world-pictures, and for which/whose worlds are they optimized? This conversation begins with complexity as a techno-political site, rather than a euphemism for vagueness or practical deferral, asking what languages, metaphors, and translations may be required to construct non-punitive modalities of entanglement.
The DECOSO Meeting is a seminar-like series that seeks to discuss cybernetic practices and aesthetics for probing the epistemological condition and historical legacy of cybernetic thinking that underpin contemporary concerns about big tech and the rise of digital feudalism.
Terms
- Coding
- Diagram
- Digital image
- Inhabitability
- Internationalism
- Intersectionality
- Orality
- Planetary
- Programming
- Technogenesis
- Technopolitics
- Translation
- Xeno-technology
Study
Contributor Biographies
-
vinit agarwal
vinit agarwal is a poet and programmer whose work is around orality, translations, and internationalism in the xeno-technological fields.
-
Patricia Reed
Patricia Reed is a writer, artist and designer whose research focuses on the intelligibility of complex structures as they relate to conditions of inhabitability at planetary dimensions.
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Ute Holl
Ute Holl, advisory board member for DECOSO and professor of media studies at the University of Basel, will be contributing to this meeting as a respondent. Her research focuses on techniques of knowledge visualization, electroacoustics, radiophonics, and the history of cinema and perception.
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